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Named Best Museum 2022 by Miami New Times

My great uncle Matthew Freeman, of London, England, was a passenger on the Lusitania, a ship that was torpedoed by the Germans in 1915 and sank in 18 minutes. He was quite the hero, saving several lives. He survived the attack, and in the early 1950s he came to live in Miami Beach.

My mother and I arrived in Miami Beach from London on Oct. 15, 1964. We checked into the Saxony Hotel, which was owned by George Sax, a friend of my great uncle Lou, Matt’s brother. There was a nightclub at the top of it called The Ivory Tower, and we had plans to go there that very night. We needed to get our hair done, or combed out, as they said in those days. It was quite late in the afternoon, and Mother was convinced that all of the beauty salons would be closed. However, after trudging down Washington Avenue, we found Mr. Carmen. He teased our hair to a suitable height, and off we went for our night in the Ivory Tower.

I thought Miami was the most exciting place I had ever been. We stayed at the Saxony for three weeks before renting a little efficiency apartment at 235 30th St., just off Collins Avenue. Lincoln Road was nearby and little trolleys would take you up and down the street. You could ask the driver to stop whenever you saw something in a store window that took your fancy; there was no other traffic on Lincoln Road. Jackie Gleason did his weekly television show from Miami Beach.

There were huge yachts lined up all along Collins Avenue opposite luxury hotels – The Fontainebleau, the Eden Roc and the Doral. On top of the Doral was the Starlight Roof, so named for a thousand twinkling lights on the ceiling. It was one of the few places that gentlemen were required to wear a jacket and tie.

In those days, there was very little crime, and on balmy winter nights, women could be seen strolling along Collins Avenue wearing minks and diamonds. I would go farther north to the Castaways and Thunderbird, where all kinds of entertainment would go on until the wee hours of the morning. Sometimes I would dance the night away at Funky Broadway in Sunny Isles. I would go to the 79th Street Causeway, where there was a hub of nightlife: The Place For Steak, The Penthouse Club on Harbor Island, and Jillys, to name a few. Also to Fun Fair, to eat the best hot dogs in the world and play the nickel skee ball. For a café con leche and arroz blanco con frijoles negros, we would take a Sunday trip to Southwest Eighth Street. There were hippie “love-ins” in Greynolds Park in North Miami.

Reluctantly, I returned to England after six months, but Miami remained in my heart and I knew it was my destiny. I was 21 when I returned to live here permanently. I met my beloved late husband Guy Aylward, who was a newscaster for WCIX Channel 6 TV, which was housed in a round building at 1111 Brickell Ave. I had met him when we were both cast in a play at the Ruth Foreman playhouse in North Miami.

Our son was born in 1978 at Mercy Hospital. We were living in Pinecrest at the time and had mango trees, grapefruit trees and star fruit on our property. It was an idyllic existence and seemed as if we were living in the heart of the country when, in fact, bustling South Dixie highway was only a short walk away.

Having a child opened up a whole new Miami world – the quaint Crandon Park Zoo on Key Biscayne, the Seaquarium and the original Parrot Jungle. There was the unique Serpentarium and the mysterious Coral Castle. All of these were a veritable wonderland for a child.

Eventually, we opened foreign and independent movie theaters in Coral Gables. Among them were Cinematheque, which had airplane seats obtained from Eastern Airlines when we first opened, and also the Arcadia and the Grove Harbour in Coconut Grove. Nat Chediak, who had met my husband at Channel 6, was my husband’s partner.

Guy filmed the first commercials for Carnival when the company only had two ships, the Mardis Gras and the Carnivale. My husband was a man of many talents both in front and behind the camera. A new television series called The Magic City has just been filmed here, created by Miami son Mitch Glazer. It recaptures the era of the late ’50s and early ’60s. I look forward to seeing it. I’m sure I’ll recognize some of the characters whose names have been changed to protect the innocent!

Miami has gone through so many changes.

Life is ever-changing, but in Miami the magic always prevails. My roots are here, planted firmly in the ground, just as strong as the roots of the old majestic Banyan trees.

It was 1918 when Ben and Bessie Diamond visited Miami on vacation from Elmira, N.Y.

They fell in love with the city and the people. In 1921, they moved to Miami, driving from Elmira with all five of their children. One of those children became my mother in 1930.

Ben opened an auto-wrecking and used-parts business on Southwest 12th Avenue and Eighth Street as Diamond Auto Parts. He sold that business and opened an oil-refining business on the Miami River and Southwest Sixth Street. That business was prospering when, in 1936, at age 44, Ben died.

Four of those five children graduated from Miami Senior High, at the new building on West Flagler Street and 25th Avenue. Lil Diamond was valedictorian of her class.

Two of the boys got jobs working at the dairy owned by Mr. Ernest (“Cap”) Graham, out in Pennsuco, Fla., in the western part of the county. Sidney Diamond stayed with the dairy for more than 25 years, and Harry Diamond stayed on until World War II interrupted.

I went to Miami Beach elementary and junior high schools, and watched the soldiers marching down the streets when the entire island of Miami Beach became a military base. All of the parks and golf courses became drill fields, the north end of the beach – where the Bal Harbour Shops now stands – became a prisoner-of-war camp, and on the ocean side there was a firing range.

At Miami Beach Senior High, I played and lettered in four sports: football, basketball, baseball and track. In 1948, I was given an award as the most outstanding athlete in the history of Miami Beach High. No one had ever done that before and, as of now, it hasn’t been repeated.

During the war years, food and gasoline were rationed, and it was good if you were personal friends with the butcher so you’d be able to get just a little more meat for your family. Since Uncle Sidney worked for Graham’s Dairy. He couldn’t be drafted because dairy businesses were considered an essential industry. The dairy trucks were entitled to extra gasoline; in that way, I got a little for my motorbike.

As a teenager, it was mandatory to head to the 14th Street beach on Saturday and Sunday. The girls were all in one-piece bathing suits that had short legs and went all the way up to the neck in front. We set down our blankets and turned on the battery radio to listen to the “Pepsi-Cola” all-day music on Saturday.

There was no trouble parking if you had a car, because very few people had a car. Most people took a bus wherever they needed to go. I remember bunches of us taking a bus over to Miami to the Greyhound bus station with all of our picnic stuff with us, and then taking the Greyhound all the way to Ojus, in North Miami, where we spent the day at Greynolds Park. There was no mosquito control then, so sometimes we came home all eaten up.

When it came time to go to college, most of us chose the University of Florida in Gainesville. How did we get there? Again, it was a Greyhound bus, for about $7, or you could take the Seaboard Railway from Miami to Waldo, Fla., and hitchhike into Gainesville. So many of us chose UF because the tuition was only $75 per semester for a Florida high school graduate, and a dorm room was just $50 per semester. The burger basket at the CI was $0.39 with fries and slaw. For those who had a car in Gainesville, gas was only $0.29 a gallon, but the Blue Sunoco station in downtown Gainesville had a special on Saturday mornings: seven gallons for $1.

If only Ben could have lived another 10 years. When he died it was necessary to sell off all of the land he had owned to support Bessie and five children and one grandchild. Forty acres on the corner of two unpaved dirt roads – one named Galloway and the other South Kendall Drive. The whole 40 acres sold for $400.

Back then, a whole city block on the ocean and 25th Street in Miami Beach sold for $10,000. Ben, you died too young, and too soon.

My family moved from Washington, D.C., to Hollywood in 1926 due my father’s severe asthma attacks during the cold Northern winters. My sister, Shirley, was 4 and I was 2.

Our sister, Isabelle, was born in Hollywood.

In 1928 we moved to 1625 SW 15th St. in Miami. I went to Shenandoah Elementary School when it was a row of wooden portable buildings with a boardwalk between them. The custodian improvised, with a set of tablespoons he altered, to retrieve the lunch coins that many of us dropped between the cracks of the boardwalk.

Kent Kelley and I started out in kindergarten together in Mrs. Patterson’s portable classroom and remained close school mates through high school, remaining good friends until now.

Shenandoah Junior High School was next. We thought that was the big time – going to school in a real two-story building. In 1937 my father passed away. I worked in the school cafeteria drying trays in return for my lunch. My best buddies were Walter Jessup, Joe Heard and Kent Kelley. My fifth-grade English teacher, Mrs. Hancock, drilled us so well in diagramming sentences that I did not learn anything more in English classes through college.

Miami High School holds many fond memories as a part of the Class of 1941. Walter Jessup and I both had Miami Herald delivery routes that required us to get up at 3:30 a.m. and deliver our papers by bicycle with a large wooden basket attached to the handle bars. I traded a paper every week for a haircut every two weeks, at the barber shop next to the Tower Theater on Southwest Eighth Street. Walter and I traded papers for a day-old pie at the bakery across the street from the Tower Theater and then traded a paper for a quart of milk from a McArthur Dairy truck driver. We sat in the Gulf Station at the corner of Southwest Eighth Street and 17th Avenue, sharing the pie and the milk while we folded our papers for delivery.

Miami High School in those years had a national championship football team with David Eldridge, Bruce Smith, Arnold Tucker and many others. Walter and I were cheerleaders. We almost created a riot during one Miami High – Edison game. Edison cheerleaders placed a red lantern in the bleachers behind our goal posts. Walter and I ran up the bleachers and took it back to our side. The police closed in and averted further contact.

Many of us from the Class of ’41 went into the armed services after graduation to serve our country in World War II. Bruce Smith went to the Naval Academy to play football and Arnold Tucker went to West Point to play football. They both became flag officers, Bruce an admiral, and Arnold a general. I met up with Walter during the war at North Island Naval Air Station, where I was stationed at a hanger next to the one where he was stationed. We arranged to take liberty together to go to Los Angeles to see the Rose Bowl Game.

My sister, Shirley, MHS Class of 1939, enlisted in the Navy Waves. Our mother, Bertha, and four of her brothers were in the U.S. Navy during WW I. Mother was a wireless operator in St. Augustine. She was a Miami community leader in the 1930’s and 40’s.

After attending the University of Colorado on the GI Bill, I decided to help my mother, who had cancer, to operate Camp Wohelo, a small girls’ camp she founded in 1929, in Waynesboro, Pa. During the winter of 1953 I met Kev Klein, a school teacher, who was teaching at the Lear School on Miami Beach. We were engaged six weeks later and married in Mansfield, Ohio. Kev became the assistant director of Camp Wohelo, and I built Camp Comet for boys on the adjacent mountain. We have been happily married for 59 years.

Our children, Jay and Bari Sue, were born and raised in Miami. Jay is a retina surgeon, practicing in Miami and Bari is teaching at the University of Miami/Canterbury Child Care Center. Jay and his wife, Kerry, have two beautiful children, Haley, 10, and Easton, 3.

In 1985 we moved to West Dade after selling the camps. I became a political activist, co-creating the West Dade Federation of Homeowner Associations with Jesse Jones. As WDFHA president for 17 years, I lead the incorporation movement for Doral, which became a city in 2004. Five years later, the Doral City Council voted to name a beautiful 10-acre park, Morgan Levy Park, at Northwest 102nd Avenue and 53rd Street.

After Hurricane Andrew in 1992, smoke from burning debris was a serious problem. I started a “Stop The Burning” movement in West Dade and teamed up with the South Dade Soil and Water Conservation District in Homestead that was fighting the same problem. We ground up 4.5 million cubic yards into mulch and delivered it free to South Dade farmers, enough to fill a line of dump trucks from here to Atlanta.

As a result of my volunteer work for that project, Jack Campbell, then chairman of the soil and water district, asked me to go to work as their administrator. I am still working as the administrator of the district after 18 years and I hope to remain on the job.

This is not the same little community in which I grew up. I am proud to see the growth and development that has taken place. I am always happy to call “Miami” my hometown.

We first vacationed in Miami and Miami Beach in the winter of 1945. My parents fell in love with the beauty of the area and one year later I was able to move here permanently. I attended the old Miami Beach High school and lived with my grandparents in the Herbshire Apartments on Euclid Avenue.

I played trumpet in the Miami Beach marching band and loved living near the beaches. Almost every day after school we headed for the beach at 14th Street. This was the meeting place for all of the high school students. In the evenings I usually played basketball at the nearby Flamingo Park until dark, and on weekends I played trumpet with a small group at the local youth center.

I ate all of my meals with my grandparents, but on weekends we would eat at the famous Wolfie’s Deli. In 1948, I attended the University of Florida, where I completed my pre-medical studies.

I married in my last year of college and my first child, Michael, was born at Mercy Hospital in Miami in 1952.

I was accepted to the University of Tennessee where I completed my medical training and internship. My daughter Cathy was born in Baptist Hospital in Memphis, Tenn., in 1955.

I returned to Miami to complete a residency in pediatrics at Jackson Memorial Hospital.

I bought a home in beautiful Coral Gables and lived there for approximately the next 20 years.

I opened my pediatric practice on Coral Way and 87th Avenue in 1959, and met my first patient as I was nailing my sign on my door. For the next 20 years, I made house calls to about every home in that area.

My parents lived on Miami Beach and almost every Sunday we would visit with them and take the children fishing off the shore in the bay. They loved to fish and could hardly wait for the weekend to come.

I was a big sports fan in the early days of the Miami Hurricanes and the Miami Dolphins. I always had season tickets and never missed a game. It was great fun going to the old Orange Bowl, and I was sad when it was torn down for a more modern facility. I will always have great memories of the wonderful times we had there.

I was thrilled when the Miami Heat team was introduced in 1988 and, of course, was a season ticket holder.

I remarried in 1987 and, for the next 20 years, my wife was my office manager in our new office in Kendall. My wife and I retired about seven years ago and we now live in the Redland with our dog, Lucky.

My wife, Johan, has been very active in the community for the past 25 years, lending her time and expertise to many volunteer organizations, including Guardian Ad Litum, Voices for Children, and Neat Stuff, all dealing with children’s issues.

Since my retirement, I have had a chance to hone my photographic skills and I am now exhibiting my work at the beautiful Art Fusion Gallery in the Miami Design District.

I am still an ardent and loyal sports fan but, at my age, I am more comfortable watching the games sitting on my couch in my pajamas and eating a bowl of ice cream.

An observant writer once said of Roxcy O’Neal Bolton, “I have heard Roxcy Bolton laugh, as elusive an event as seeing the great Greta Garbo smile.”

The Roxcy Bolton who opens the door to her Coral Gables home to welcome visitors on a recent afternoon laughs easily and often on this day.

Though two strokes and two heart attacks conspired to steal some of Bolton’s verbal abilities, good cheer and a fierce determination to champion equal rights, along with a desire to document her history as a trailblazer, keep Bolton energized.

And now she’s sharing her life story with others through donations of her memorabilia to state and local museums. For nearly 20 years Bolton has been collecting memorabilia – letters and correspondence, documents, photographs – and has submitted them to the State Archives in Tallahassee and, locally, HistoryMiami.

“She has so many objects she can’t give all of them just to her family, and she has such a spirit of community that she wants to make sure the community benefits from having them,” said Bolton’s daughter, Bonnie, her caretaker.

Earlier this year, Bolton, 86, added the city of Coral Gables, her family’s home since 1964, to the beneficiaries of her photographs and memories. Among the items she donated: a plat book from 1947 that lists property boundaries for Coral Gables at the time and an original building code document from the city’s founding in 1925.

“For a community such as Coral Gables that takes such pride in its history, these documents help explain where the city has come from,” City Manager Pat Salerno said. “Not only has she been a pioneer for women’s rights but she’s left her mark on the city in so many ways.”

Bolton, born to a Mississippi pioneer family, was one of the first Florida women to join the National Organization for Women after its founding in 1966. She founded and presided over the Miami-Dade Chapter of NOW in 1968 and fought for the Equal Rights Amendment in the 1970s.

In November 1971, the Playboy Plaza Hotel in Miami Beach made the mistake of placing Bolton on its mailing list and offering its facilities, should she desire, for NOW meetings.

Her response – in which Bolton made it abundantly clear that she would never join Hefner’s hutch – became one of her most pointed missives.

“Your colossal gall is exceeded only by my tolerance, despite the stress on my good nature,” she opened her letter to the club’s assistant director for sales. For Bolton, Playboy clubs represented the abuse and exploitation of women. “How would you like to walk around with a wad of cotton on your rear end?” she wrote.

Bolton received a terse letter a week later from the sales director; her name was removed from the Playboy Club’s mailing list.

The mid-19th century desk and hutch that she used to write many of her letters – first in flowing cursive and then neatly typed – went to HistoryMiami.

“This is where she did a lot of the writing and that’s a great personal artifact to be able to share with visitors,” said Joanne Hyppolite, chief curator at HistoryMiami. “Where does history get made? Often in routine, regular circumstances.”

The downtown Miami museum also has a Picasso print reproduction from Bolton’s collection that had been given to her by a group of women she had assisted when she founded the nation’s first Rape Treatment Center at Jackson Memorial Hospital in 1974. She also donated the letters, state officials’ accolades, and a proclamation she earned for creating the center, renamed the Roxcy Bolton Rape Treatment Center in 1993.

“She’s probably the best known feminist women’s activist here in Miami,” Hyppolite said, citing Bolton’s role in getting National Airlines to create maternity leave instead of firing its pregnant flight attendants, which had been the airline’s policy. “There were one or two people you would call and she was ours from the ’60s onward. She’s been the one really strong voice in our community.”

Today, Bolton communicates mostly by pad and pen, and with help from her daughter Bonnie, 47, one of her three children with her late husband, David Bolton, a Navy lawyer whom she married in 1960.

There is no social media because there are no computers in the Bolton home. But modern contrivances such as Wikipedia and a Facebook fan page dutifully note the pivotal moments of her storied life.

What her home does contain is heart. Rooms are filled with memorabilia of a life well-lived: a cherished 1956 photo of Bolton with one of her heroines, first lady Eleanor Roosevelt; a shot of Bolton marching for the Equal Rights Amendment in the early 1970s with State Rep. Gwen Cherry, the first black woman to serve in the Florida Legislature; a photo of Bolton greeting President Bill Clinton in Miami in the early 1990s; and a 2009 letter from first lady Michelle Obama that thanks Bolton for her commitment to community.

In August, Beth Golding, archivist supervisor for the State Archives in Florida, Division of Library and Information Services, and members of her staff, visited Bolton’s home to pick up some materials.

“Since 1994 she has steadily made donations of her papers and photographs and correspondence that she’s collected over the years,” Golding said.

“So the collection we have here at the State Archives contains a great deal of documentation of her personal role in the women’s movement in Florida and the evolution of the movement as a whole from the 1960s into the early 21st century.”

Golding also notes that Bolton was a key advocate of preserving the Miami Circle when the archeological landmark was discovered downtown in 1998.

“She has a keen sense of history and the importance of preserving history.”

Bolton says that her passion for equal rights, comes from her upbringing in Mississippi. She writes the word ‘grandparents’ on a notepad in handwriting that hasn’t changed much from that of her 1971 letter to Playboy.

“She spent her formative years on a farm in Mississippi and that inspired her to appreciate history. From the country in Mississippi she was learning to save everything,” Bonnie said.

The photo that means the most to her: a beaming Bolton and Eleanor Roosevelt.

“Eleanor was one of the greatest inspirations outside of her own family,” Golding said. “She feels that her Mississippi upbringing instilled in her the values that led her to be an activist. She often will refer to her pioneer-settler grandparents and how strong and caring those people were and she feels [this] is what led her to be the person she is and to advocate for the things that are important to her.”

From those humble beginnings, future generations can learn how a powerful voice can affect change.

“Thousands of children come here and can’t believe women weren’t treated equally, couldn’t vote, weren’t paid equally – that’s unfathomable to them,” HistoryMiami’s Hyppolite said. “We need these historical documents to show them physical evidence that these things happened and that there are people who overcame them.”

Following Pearl Harbor, as the United States readied for war, Miami became a Navy city, with Naval troops marching along Biscayne Boulevard.

Miami Beach had Army Air Corps troops living in beachfront hotels and marching on the golf courses. Naval Air Station (NAS) Opa-locka was expanding to search for off-shore German submarines. Navy PT boats were being built at Edison High School. Lights were dimmed and windows blacked out. An army offshore artillery range was at Bal Harbour and a German POW camp was established across A1A in Bal Harbour. A lesser-known camp was located south of the Snapper Creek Canal and west of South Miami, the Miami Air Depot (MIAD), was operating from what is now Miami International Airport. NAS Banana River was being built near Cocoa.

Ships torpedoed by German submarines were seen burning offshore at Miami Beach.

Even before Pearl Harbor, Miami was being drawn into the war in Europe. The newest British navy heavy cruiser, HMS Exeter, came to Miami on its maiden voyage. While the Exeter was docked at the old P&O docks in Miami, the German battleship Graf Spee was observed sailing south in the Atlantic off the coast of Miami.

The Exeter was immediately alerted to give chase. Unfortunately, due to an extremely low tide, the Exeter was held fast in the mud of the Miami harbor. Ultimately, the Exeter was freed and it found and damaged the Graf Spee off the coast of South America, forcing the German captain to scuttle his ship.

At about the same time, Pan American Airways was engaged in clandestine flights from Miami across the south Atlantic to support the British in North Africa.

I was 11 years old. My best friend, Alan Borden, also 11, and I watched the buildup for war and were unhappy that we were too young to join the Navy. Alan’s father, Capt. Harold Borden, skippered the Isle of Normandy, a tug boat owned by Reed Marine Construction Co. on Biscayne Bay and the Miami River. Alan’s parents, Harold and Mary Borden, and my parents, James and Robbie Capley, had moved to Miami in the late 1920s.

One day, Capt. Harold told us the Navy had directed all civilians working on and around the bay and river to register with the Navy and obtain a civilian ID card. The Navy was concerned about saboteurs from offshore German submarines attempting to land in the area. In fact, there were rumors of a German shore party being captured in northwest Miami. Alan and I decided the registration requirement must have applied to us since we were sailing on the bay in Alan’s sailboat almost every day.

The following Monday morning, we walked from our homes near Edison High School to 62nd Street and boarded a Miami Transit Company Blue J bus to downtown Miami. We presented ourselves at the Office of the Commander of the Seventh Naval District Headquarters in the DuPont Building. We were escorted into the commander’s office and he very graciously informed us that the rule really was intended to apply to adults working around the bay, but agreed that we could be registered. He informed us that the actual registration was being done by the Coast Guard headquarters located on the Miami River near Bayfront Park and that we should go there.

We were received by the Coast Guard commander. Of course, he had been called by the Navy commander and alerted to our coming. We were received with great ceremony, fingerprinted, photographed and issued very impressive Civilian ID cards. Those cards were our proudest possession throughout the war years.

Alan later joined the Navy and served during the Korean War. I joined the Navy Reserve at NAS Opa-locka and later was commissioned in the Air Force near the end of the Korean War.

Alan Borden is now retired as an electric contractor estimator and lives in Coconut Creek. Gerald Capley is an attorney, retired from Pan Am, and lives in Melbourne and Hendersonville, N.C.

My parents were young Norwegian immigrants who had met and married in Chicago.

My father was a skilled carpenter, but there were no jobs available. The Great Depression had caused the banks to fail, and they lost all their savings, so they accepted a job in Miami.

They became the caretakers of the Warren Wright estate, which was located at 5255 Collins Ave. The Wrights only came to Miami when their horses were running at Hialeah Park, so most of the year my parents had the estate to themselves. Looking back on this, coming to an unknown tropical city after growing up in Norway was quite an adventurous thing for them to do.

I was born at St Francis Hospital on Miami Beach and just vaguely remember our home, which was a large apartment over an even larger garage. It looked out over Indian Creek on one side and the Atlantic Ocean on the other.

During World War II, soldiers were housed in Miami Beach hotels. They marched and trained up and down Collins Avenue outside our driveway, and filled their canteens from our hose. We often saw oil slicks and wreckage on the beach from ships sunk off shore by German warships and, because of the threat from enemy fire, we had blackout curtains on our windows and my father was an air-raid warden. My parents were both worried about their families back in Norway, which had been occupied by the Nazis.

When I was 7, my father began working on the construction of the Homestead Air Force base and we moved to Jefferson Avenue and Third Street in Miami Beach , where I met my friend Joan Mooney. We ran wild all over the southern end of Miami Beach, starting at what is now called South Pointe, where we swam in the public pool and went to the movies. I think it cost us about a dime or less. We fished in the bay, played at Flamingo Park or went to Lincoln Road to look at beautiful clothes in the windows of expensive stores.

We spent our summer vacations at the beach where we went almost daily after slathering ourselves with pancake makeup. It was before sunscreens and that was supposed to keep us from burning, but we loved it because we thought it made us look grown-up.

When we were 9 or 10, we often took the bus or the jitney to downtown Miami and went to the movies. We fed the pigeons in Bayfront Park, or rode the ponies which were located where the Omni Mall was built later. If we went to town with one of our mothers, we had lunch at the Seven Seas or Burdines Tea Room, where the big deal was a dessert called a Snow Princess, which I think every old-time Miamian remembers. If we were on our own for lunch, it was the Polly Davis Cafeteria, or a drugstore on Flagler Street across from the Olympia Theatre (now Gusman), where we used to see a movie and a live show.

We were big movie fans, and in those days there were a half a dozen movie theaters in and around downtown Miami, so there was always plenty to do.

In the late 1940s, my parents bought an acre of land in Biscayne Gardens, which was pretty open and uninhabited, and in the early 1950s my dad built our house. It was very different from the close-knit neighborhood I had come from on South Beach – barely five or six houses had been built at that time – but because of that openness, I did get to ride a neighbor’s horse. He was a retired police horse, looking forward to some rest, but he put up with me, and we regularly raced the few cars that ventured along Miami Avenue.

I went to Miami Shores Elementary School, where in later years my three sons also went to school, and even later, several grandchildren. After several years at Horace Mann Junior High, I ended up at the brand-new and barely finished North Miami Senior High. I was a cheerleader and our high school years were right out of Happy Days.

Football and basketball games were major events for the North Miami community, and for pizza and awesome garlic rolls, a place called Marcella’s was our hangout. We seemed oblivious to the outside world, even though we had regular A-bomb drills, and a few older boys had joined the Army and had been sent to Korea.

In my senior year, I had begun to model, and occasionally did some work on some of the early local television shows. I had won a scholarship to the University of Miami, but shortly before graduation my father was killed in a construction accident, so instead of going to college I went to work for the Goodyear Tire Co., down on Biscayne Boulevard, and continued to model.

I met and married my husband, Pete Davis, in Miami Shores, where we later built a home and raised our three sons, who all still live in the South Florida area with their children. During our early years in our home we lived through the Cuban missile crisis, and again, there were troop convoys and equipment in Miami.

In the 1970s, my husband and I became antique dealers and we did shows for years at Dinner Key Auditorium in Coconut Grove, where I remembered going to watch the Pan American seaplanes land as a very small child.

Slowly Miami began changing from the Miami I grew up in, which was a pretty sleepy area from April until December.

It has become a much more diverse, culturally rich city, with so much more to offer than just sun and surf.

I have been fortunate enough to travel and see other places, but always love coming back here. There is nowhere else quite like it.

Our family came from Davidson, Tenn., a coal-mining town. My dad had read many advertisements about coming to Miami, so he and my grandfather came down for a few months and loved it. He never liked working in the coal mines and always said, “You can’t help where you were born, but you don’t have to stay there.”

Anyway, he came back home, packed my mother and his six children in the car and away we went. My youngest brother, Malcolm, was 2, I was 4, and they go up from there.

I remember all the flat tires we had, but we made it.

We got here in August 1926, and we were living in a tourist camp when, on Sept. 8, 1926, the hurricane hit. We were lucky to get to someone’s house. I remember sitting on my mother’s lap with water covering everyone’s feet. People didn’t know about the eye of a hurricane, so everyone started going out and when the hurricane returned, people were caught in it. My sister, Irene, started blowing down the street and a man caught her. My mother asked my dad to take us back to Tennessee, but he never did.

My dad was in the roofing business and, after a few years, he was able to build mother a house. It was on Northwest 49th Street. It is still there and so is the barbecue, where for years our family enjoyed family barbecue and Dad’s vegetables from his garden.

We grew up in the area where the Art District is now. My children and grandchildren often take me down there so I can show them some streets where we lived. We played a lot in Wynwood Park and rode the streetcar that ran from 36th Street and Northeast Second Avenue to downtown. Each Saturday we went to the Biltmore Theater to see a western.

Also, in the late 1920s, a nice neighbor who had a small store on Northwest 22nd Street and Fifth Avenue would take some of us kids and walk to the Seventh Avenue Theater, and on the way home we would stop at a little ice cream parlor and he would buy us a cone. We didn’t really know how bad times were.

All of us went to Buena Vista, Robert E. Lee and Miami Edison High, where my brother, Dub Gracey, was the quarterback. We went to school riding in the rumble seat of Dub’s Model-T Ford. He and I are the only two still living from our family. He’s 93 and when he retired from Delta Airlines, he stayed in Tennessee.

When we were at Edison, a lot of the kids would meet on Saturday in front of the Kress dime store or Burdines to plan our day – whether to go to the movies first, and then the beach or whatever. We loved going to the Olympia Theater; it was so beautiful. I remember seeing Paul Whiteman and his orchestra there once.

We went to the Venetian Pool in Coral Gables for a lot of birthdays. There were a lot of parks and we would go to them, from Crandon and Matheson to Greynolds. In November 1951, about 30 of us from Edison had a picnic at Greynolds Park and we called it, “Our First Edison Reunion.”

I was in Glee Club at Edison and we sang a lot at the bandstand in Bayfront Park. They had lots of events there. My dad was there when President Roosevelt was almost assassinated. Instead, the mayor of Chicago was killed.

In 1939, I had my first date with my husband to be, Bob Freeman, and he took me to Fort Lauderdale to the “Trianon” to see Louis Armstrong.

We married in 1942. He joined the Navy and was stationed for awhile at Opa-locka Naval Air Station, and I worked as a switchboard operator at Southern Bell Telephone Company.

We were out of school before the war started. My brothers, Malcolm and Dub, joined the Navy and were lucky enough to get back home safely.

After most of our boys had joined the service to go war, some of my girlfriends and I would go down to about Fifth Street and Biscayne Bay to see the ships that would come in, and we would talk to the sailors. We would stroll along Biscayne Boulevard, and one night we were in front of the Miami News tower (the Freedom Tower now) when we saw two planes collide. We ran into the Tower and told the switchboard operator about it. One plane had fallen into the arena and was burning. Luckily, there was nothing happening there that night.

My husband, Bob, was stationed at Lee Field, near Jacksonville, and I worked on the switchboard there. When the war ended we came home and Bob went back to work at the post office. He worked there before the war and his job was waiting for him. I went to work for Eastern Air Lines at a two-position switchboard for reservations on the 12th floor of the Ingraham Building. I was foolish and didn’t go to the airport when they moved out there, but I did get another job with the then-beginning of the answering services, where I was supervisor for a few years.

I retired when my first child, Bob Jr., was born.

My husband loved to hunt and fish in the Everglades. After the war he once took me out with him. I had to sleep in a hammock, we ate “swamp cabbage” and drank our water from what I called an artesian well. That’s how clean the water in the Everglades was.

I have lived in Miami and North Miami all of my life and I have been in this house for 62 years. I’m 90 now, and I just wrote my early years in Miami. I’m also writing my memories for my family. I still love Miami and like going downtown!

I was born in Managua, Nicaragua, in 1977. I moved to San Francisco with my family when I was 3, and when I was 5 we moved to Miami where I grew up. My mom didn’t like the San Francisco weather and heard Miami was more Latino, so she wanted to be here, and she never left.

When I was around 13, my brother began DJing with my cousin. I started playing around with the records, and that’s how I got into DJing. At that time, back in the early 1990s, it was all radio DJs like DJ Laz, Eddie B, and DJs on records like Magic Mike and Jock D. There were VHS tapes, like the New Music Seminar battle in New York, the DMC DJ Competition videos, and that was it. If you wanted to learn about DJing, you needed to get a VHS tape or listen to the radio and record stuff while trying to mimic it.

Being from Miami, which has a very Caribbean vibe, influenced me a lot. There’s a lot of bass culture here, not just Miami bass, but also dub, reggae, merengue, salsa. It’s very bass-driven music. Miami bass and freestyle music were the first styles of music that I was mixing. That was what was playing on the radio when I was growing up. There was no hip hop, no electronic music, no nothing – it was just Miami bass, freestyle music, salsa and merengue on Power 96.

Back then it was all about record digging. You had to find the record that said what you wanted to say. You went to the record store, and you might be there for hours digging through records, listening to new music, and discovering stuff. It was part of the culture. Every weekend, my boys and I would get together and go to the record store and see what we could find.

I was practicing a lot, and when I was about 16, I entered my first competition. I won because I was this little kid stepping against this 20-year-old guy. I had mad attitude and records that dissed him. That was my first time on stage, and I was already winning. After that, I knew I wanted to be a DJ.

The competitions were just part of hip-hop culture. There were breaking competitions, emcee competitions, DJ competitions. As long as hip hop has been around, it’s been competitive. I was into the whole culture, but I just couldn’t do it all. DJing was the only thing I felt that I was good at, and that’s what I focused on. Back then, hip-hop culture gave you status. It was people who wanted to be the best at what they did. And for me, it was DJing.

I wanted more. I was practicing more, watching more videos, and then I met my first manager, G Smooth. He entered me into my first DMC regionals in Philadelphia. I lost. So I came back, practiced more, and went to New York for a Zulu Nation battle. I won that two years in a row.

In the early days, when I was just battling, I started a crew with A-Trak called The Allies, and we were on top of the whole DJ battle world. We started traveling the world and winning battles. We were known to incorporate all of the elements of turntablism (the art of manipulating record players and transforming them into musical instruments) into one. We weren’t just good at scratching or beat juggling or body tricks. We were good at everything.

I was also rocking some clubs in Miami. I was DJing at one of the first big, real hip-hop clubs. This club, The Gates, was bringing big names like Fugees, Biggie Smalls, and Wu-Tang. I was the resident DJ, so it was my stomping ground for a couple of years. I was also scratching up jungle music, hip hop, and Miami bass at parties and rave clubs.

At the rave clubs, it was more about psychedelics, freedom, and experimentation with everything. At the hip hop clubs, it about the culture, the style of dressing, and talking, and at Miami Bass freestyle parties, it was just Miami. I wanted to try it all and experience it all.

In 2001, I was named America’s Best DJ by Time Magazine. That was tight. I’ve won the World ITF Scratch Off Championship, Zulu Nation battles, the Source battle, and the 2015 Global Spin Turntablist of the Year. I’m most proud of being the three-time consecutive DMC World Champion. My winning streak has never been matched, so now I’m in the books. It was in London, and I flew my parents out there for it. It was awesome.

After that, I quit. I’m not competing, but I’m still making routines. I put out a new routine almost two years ago with a message within it about the state of DJing, and what’s going on now with the whole culture.

It was at Ultra Music Fest that I noticed that DJing had started to become different. DJs just stand up there and cheerlead the whole time with fireworks. It’s like a weird pep rally and not about the music anymore. I saw a Tosh.0 episode and he said, “Anyone can DJ. Just press play and you’re a DJ.” He was right, it is a joke now. So I decided to make a new routine and use that message.

I used the audio clip, footage of the people that I think are ruining DJing, and I busted out this new routine on video. It reminded people that the culture is not just about the party – it’s about turntables, and DJing, and crowd-rocking. People really took the message and the whole DJ culture blew up after that. Instead of pushing it on people, I started focusing on showing them my mixes and my new routines.

I like people who do great things by pushing it to the next level, being original, standing out, being a leader, and being different, period. You have to make people question everything, and give people something new and fresh.

I run my label (Slow Roast Records), make music for my label, and DJ. The number one thing is that I’m doing what I love. That’s what I value most. That, and that I can provide for my family. My upbringing was completely different. It’s cool to be able to give my daughter what she wants or my wife whatever she wants. I do what I love and travel the world doing it, and I’m able to provide. I wake up every morning and it’s fun. I would not want to be doing anything else but this.

I am Tiffany Fantasia when I am performing and I’m Henry when I’m out. Only when I’m still in drag and I’m talking about business does Henry come back out.

I was born in Riviera Beach in 1982. When I was 2, my family moved to Homestead. My parents were teachers and they both got teaching positions in Homestead. We lived in the area until Hurricane Andrew hit and then we moved into our place in West Kendall.

When I saw Ru Paul on TV doing her thing, I didn’t think anything of it. I saw comedians dressing up in drag doing their acts as a character, and I just felt it was part of art. If you asked me back then if I was gonna be a drag queen the answer would’ve been, “Hell no.” I was gonna be a live singer doing my thing. I was gonna get a record deal. I was gonna tour the world and be famous. I had no ambition of being a drag queen.

Then a friend of mine asked me to go to a show with him at Twist, a local night club. He got a whole bunch of us, and we all got in drag and we did it. I had a good time. I made about $10 in tips and I was a broke college student at that time. That was back when $10 could fill up your tank. It was partially the tips, plus the love of performing, so I just kept doing it and doing it. Once I started getting paid and getting recognized it was fun. It was like this rush. You’re a diva and no one can stop you, you know. It’s a thrill I still get today.

There are no rules in drag but to look your best. Whatever character you’re playing, whatever you’re doing, look your best. Be polished. Just have it together.

Emceeing is a performance. It’s an art. My family has always been good at storytelling. They are the funniest storytellers I know. When the microphone kind of fell into my hand, I just naturally had the knack. And you learn how to develop those skills. I can plan a routine out completely, but something can happen during the number that can change everything so I have to be flexible and go with the flow and just make it happen.

That spontaneity is within both performance and emceeing. Performance involves more preparation, but I’ve done emceeing for so long now that it’s kind of like clockwork. The audience is the reason why we’re performing and they play a major role. If they’re not happy, I’m trying to figure out what the hell I’m doing wrong, to fix the situation. It’s so diverse – men, women, old, young, black, white, in between, rich, poor. You name it, I’ve performed for them.

I’m always true to myself and it’s gotten me to this point. I found that trying to emulate somebody else never got me anywhere. That’s the quickest way for me to lose, so I have to be authentic. I’ve turned down gigs and song requests because I wasn’t comfortable. You need to develop your own character and do it the right way. For my career, it’s been magical for me to be authentic.

Usually, if you decide to do drag, and somebody takes you under their wing, then they’re your drag mother or drag father. You take on their last name if they let you. Some people are very particular about that. You have to earn that right. Once they feel you’re at a certain level, they let you take the name.

The name Tiffany was given to me by the first person who did my makeup. Her name was Brandy. She said, “You’re not like the other black girls.” Most of the other girls had very unique African-type names that nobody could spell. She said, “You’re not like them, you’re different. I’m going to call you Tiffany.”

My last name changed several times over the years before it became Phillips, which was my drag mother’s name. Then Fantasia came along from American Idol. Everyone was saying, “You look like Fantasia.” I saw her and I thought, “Okay, we do kind of look alike,” so I made Fantasia my middle name. From a marquee standpoint, it was just too long, so I dropped the Phillips and became Tiffany Fantasia.

There’s such a wide range of femininity, and for me, it’s in the walk. That’s probably the most feminine part when I’m really feeling myself and I’m doing that walk. Everybody is a “girl.” I don’t care how straight you are or how gay you are. I don’t care if you’re a man, woman, or transgender, you’re a girl. For me it’s not a gender thing, it’s a term of endearment. Everybody is a girl, it doesn’t matter: You cool, but you a girl.

There are several reasons why I do what I do. Why would you do things that you don’t want to do, that make you unhappy? When I fell into drag I was happy because I love to perform, and because it makes me happy, that in turn makes other people happy and helps them deal with the struggle of day-to-day life. I can’t tell you how many times people have come to me and said, “My husband died and I haven’t been happy in months and I saw your show and you made me laugh again,” or, “I was on the verge of committing suicide and then I came to your show and you always cheer me up and make me rethink life.” You start to hear those personal stories about how you brought joy to somebody and helped them deal with a serious situation. You realize how much you mean to people and that’s why you keep doing it. You don’t want to stop. It’s a back and forth, it comes back to you.

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